브람스피아노협주곡1번

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작성자덕양동 조회 24회 작성일 2020-10-28 10:52:33 댓글 0

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브람스 - 피아노 협주곡 1번 / 아슈케나지

Brahms - Piano Concerto No.1 in D minor, Op.15

00:20 - I. Maestoso (D minor)
24:03 - II. Adagio (D Major)
38:48 - III. Rondo: Allegro non troppo (D minor - D Major)

블라디미르 아슈케나지 (피아노)
로스앤젤레스 필하모니 관현악단 / 카를로 마리아 줄리니

Vladimir Ashkenazy (pf.)
Los Angeles Philharmonic Orchestra / Carlo Maria Giulini


============== ▼ BLOG ▼ ==============

http://blog.naver.com/naddolki/50184706792
박성문 : 바흐
_박은정 : 와
민짱짱이 : 38:48 3rd
Jongzart : brahms similar to beethoven
Giulio Carta : E CHE VUOI COMMENTARE?? MADRE DE DIOS..

J. Brahms : Piano Concerto No. 1 브람스 피아노 협주곡 1번 : 김정원 (피아노), 서울시립교향악단

Johannes Brahms : Piano Concerto No. 1 in d minor, Op. 15
요하네스 브람스 : 피아노 협주곡 제1번 d단조 작품 15
Ⅰ. Maestoso 00:09
Ⅱ. Adagio 22:47
Ⅲ. Rondo : Allegro non troppo 36:20
Jeongwon Kim (pianist)
Wilson Ng (conductor) 윌슨 응 (지휘자)
Seoul Philharmonic Orchestra
Recorded live in the Seoul Arts Center, Concert Hall on 28 July 2020.
김쓰리키드맘 : 마스크착용한 오케스트라를 볼 줄 1년 전에는 상상 이나 했을까요?ㅠㅠ
박성문 : 브럄스피아노협주곡

Brahms - Piano Concerto No. 1 | Hélène Grimaud, Piano [HD]

Johannes Brahms - Piano Concerto No. 1 in D minor, Op. 15
00:00 I. Maestoso
24:06 II. Adagio
38:45 III. Rondo
Hélène Grimaud, piano,
Southwest German Radio Symphony Orchestra | SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen, 17.IV.2005.

Johannes Brahms was 20 years old when, in 1853, he first made the acquaintance of Robert Schumann through a letter of recommendation provided by the famous violinist Joseph Joachim. It was Schumann's unabashed praise of the music that Brahms showed him that, more than anything else, provided the young composer with the courage necessary to begin work on a full-scale symphony the next year. That courage, however, fell short in the end -- Brahms felt himself too inexperienced and was too haunted by the "footsteps of a giant" (Beethoven) to begin fruitful symphonic work -- and Brahms reorganized the material he had written as a sonata for two pianos. By 1858, this sonata for two pianos had itself been reborn as the Piano Concerto No. 1 in D minor, Op. 15.

The Piano Concerto No. 1 as we know it today is a complete reworking of the ideas and themes of the original duo-sonata source; much of it is completely new music. The premiere of the piece in January 1859 was not the failure that it is sometimes portrayed to have been, but the cold response at a follow-up performance in Leipzig left a bitter taste in Brahms' mouth that he never forgot -- Leipzig remained an enemy for the rest of his life.

The concerto is in three movements: Maestoso, Adagio, and Allegro non troppo. The orchestral exposition to the giant Maestoso is mighty, epic, and tragic in no small portion; much later, a radiant, chorale-like second idea is offered by the soloist, who Brahms provides with the kind of rich, deep sonorities so characteristic of his piano writing. At the recapitulation, which is ushered in by a massive climax in which the pianist is forced to use all his/her strength to compete with the massive orchestral bursts, the pianist boldly takes over the mighty utterances that began the movement.

Brahms wrote the words "Benedictus qui venit in nomine Domini" at the head of the slow movement, but whether the words are an homage to Robert Schumann (whom Brahms sometimes called Domini), a portrait of Clara Schumann (the most popular interpretation, and one seemingly supported by a letter from Brahms to Clara), or some other reference is unknown.

The rondo-theme of the finale is introduced by the piano alone, and, later on, the soloist gets his/her one and only chance to impress the audience with a cadenza -- though it is dramatic necessity, not garish virtuosity, that demands the cadenza in the first place.
agaphonus : Pompous and pointless
Daniel Gustavo : she many times she hurries and leaves the Orchestra .. it looks bad with the tempo
Robertjc : Wat klinkt die vleugel mooi. En wat is-ie prachtig gestemd en geïntoneerd.... Vakwerk!
Gin Ker : 19:19-19:36 是電影吧,美到落淚
Krzysztof Derecki : Tak, jak Helene uwielbiam w koncercie Rachmaninowa z Abbado, tak Brahms jest lepiej wykonany przez Krystiana Zimermana z Rattle. www.youtube.com/watch?v=hPMPsY1M4kE&list=RDhPMPsY1M4kE&start_radio=1
Ken O : Amazing!
Pascale Lousqui : J'adore qu'elle prestation
Hong Cong Phan : Helene Grimaud,viva!
jh j : 브라보
Bob Patterson : I am shocked. That was tremendous. Thank you.

... 

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